#for real though i'm going to do some Analysis

[soodoonimin]

Logan Howlett and animal instincts (or in other words my long winded analysis of a comic book character)

So before I start, just know that I have read a lot of comics but I don't know everything. I can take notes all day long but I have a bad memory and comics are confusing so please be nice and enjoy, this took a lot of effort to put together, it’s mostly my thoughts on the character as I read the the comic books. The movie character is a lot different and I will also probably do something like this for movie Logan as well (though it will be significantly shorter).

Also there are some pictures that have blood and body horror so beware.

What does it mean to be human? Well that's a question we as humans have been trying to answer since we could think to ask it and ever since then we've never been able to give a fully conclusive answer. Why? you may ask, well because think about it like this, the traits we most often associate with humanity (higher thinking, creativity, empathy, and love) may not and some times do not always exists solely within us when applied to fiction, we write whole stories about how robots can be human too, how aliens can be human etc etc as long as they have these traits (more or less) AND LOOK I'm not going to get into a whole philosophical discussion about the nature of humanity on Tumblr.com but I do want to take a second to talk about how those traits are applied to Logan and how he has to fight to prove his humanity.

So mutants are an oppressed people but being a mutant isn't always the same for everyone. You can be a mutant like Rouge who can kill people with a single touch or mutant like Storm who can bend the weather to your will (the most obvious example). You can be a mutant like Jean with no obvious physical signs of your mutation or you can be a mutant like Kurt, where 9/10 people think you’re a demon of some kind.

But what happens when you're a mutant like Logan Howlett? I mean you look human enough, sure you're a little more hairy than most people, you have fangs, you smell, and oh yeah the claws but those are retractable so overall....you're just a normal person right? Nothing you can’t hide, right? Yeah, for the most part, yeah. But there are a couple of other things about you that someone might not know from looking at you, you have an extraordinary healing factor, you have almost animal like senses and when you are pushed to your absolute brink you go into a monstrous like a rage and kill everything in sight.

For every gift Logan was born with theres a very real curse attached to each one.

Healing Factor: Logan still feels pain, the healing factor isn’t just limited to his body but it also messes with his memories, and more importantly he’s lived a very long life. In The End comic and Old Man Logan comic etc, when he’s out lived most of the world, he’s miserable.

Keen senses: Seems great, until they’re exploited, imagine what being able to smell and see and hear that well all the time without relief must be like. Imagine not being able to tell when someone is going to die? Or when they’re lying or when they haven’t showered etc. sure you might get used to it like you might get used to pain but that doesn’t make it pleasant.

Claws: Need to really touch on this one? Aside from the obvious please remember that Logan’s claws aren’t in his knuckles but in his fucking forearms so when using them he needs to make an effort to direct them or….

Berserker rage: great to get you out of a pinch but you can’t control it. (We’ll talk more about this later)

Most people don’t see these very real downsides of Logan’s mutation, they just see a small, angry guy, who’s good at fighting and can take a hit better than almost anyone.

Here’s what worse, a lot of people (X-men included) don't see, they don't all the ways Logan hates himself (and those who do don’t see the depths of that hate he has for himself). They don't see the scared little boy whose father was killed in front of him. They don't see that little boy who killed his father's murderer and was abandoned by all but one person for one person (Rose). They don't see the young man who accidentally killed his first love while trying to protect her from his brother. They don't see the man who lived a relatively miserable life being plucked up by a group of people who only saw him as something to be experimented on. They don’t see the man who believes that if he loves someone he's destine to hurt them in one way or another because he has multiple times over (even if it wasn’t always his fault). They don’t see that for all the times that they call Logan an animal, he already believes them and he’s called himself worse many times over.

(Deep down he truly believes he deserves be to alone, especially in death. That would be his “deserved” hell. Eternal loneliness.)

Which is funny because I think Logan goes back and forth in deciding on whether or not he has any humanity in him in the first place. See in the Black, White and Blood comic, the FIRST story told in this series, is an account of Logan’s time at Weapon X and we get this…interaction:

Pourquoi tu me fais ça?///Why are you doing this to me? This "monster" asks him this on the cusp of death....

(Moments during the Weapon X program, be they real memories or not, when Logan’s humanity shone through)

And THIS almost immediately snaps him out of mind control he's under going. I don't know if he understood the words per say but I think even if he didn't, he still understood the plea on a human level. Because it wasn’t Weapon X who responded, it wasn’t the berserker, or Wolverine. It was Logan Howlett. It was a moment of humanity that broke the conditioning he’d been put through that answered that plea and stopped him. Because if you think about it, if these two memories actually are real, that means that Logan recognized this plea as the same one gave to the scientists. Now determining what did or didn't happen during the Weapon X program is difficult to parse out because they implanted false memories. BUT regardless of that there was always a part of him that held onto his humanity. But I think that just adds to the horror of it all. Imagine not being able to know what memories are yours and which ones are not? So let me ask, even if those memories are “false” does that make them any less real? Does that mean that Logan suffered any less under their stewardship? He was still kidnapped, he was still experimented on, still tortured. He still had the adimantium grafted onto his bones, he was still made into a living puppet and was still seen as nothing more than a weapon, an animal, a monster by the very people who were doing all of this to him and in some respects they are the reason he is seen as a monster by others.

At the end of that comic (where he was momentarily snapped out of his conditioning) he states that no his humanity wasn’t stolen from him but he still lives with that guilt of everything he can’t remember and the things he can remember are unreliable.

I know a lot of people haven’t read the comics so I’m not trying to do annoying about it BUT if you get the opportunity to PLEASE go read The Weapon X comic (by Berry Windsor-Smith) & Wolverine’s first limited series run (by Chris Claremont).

I specifically say that second one because I think the story that’s told is probably one of the more interesting told for Logan because of the relationship he has with Yukio and Mariko. I’m not going to get too deep into it because I really think you should read it for yourself but the basic outline of it is that where Mariko loves the man, Yukio loves the “monster”. And when he’s initially trying to court Mariko it’s his attempts to in a sense to court humanity but he fails and when he turns to Yukio. And for her part it’s not just as simple as her loving the “monster” but more than she goads it out of him, for thematic reasons and plot reasons. But needless to say, they both love Logan but they both love an incomplete version of him. (It’s a really good story and it’s literally what sold me on the idea of reading through any of the older comics.)

Anyway, (in the comics and movies especially) some people solely see him as a man with an uncontrollable side that they’d run from at the first sign of aggression and others only want that animalistic side and don’t love the man that Logan is. The thing is, he is both of those things. Think about it like this. As humans we like to think ourselves above the food chain, we like to think of ourselves as *more* than animals. And sure we’re definitely one of the most successful species of animals on Earth and we definitely don’t act on instincts in the same way most animals do, we’ve created society and rules and we do things a lot different than other animals but we are still animals.

So Logan isn’t both a man and an animal anymore than you or me. But he is a man that is more in touch with those animal instincts than the rest of us (bc of his mutation). Which I think is why when he does act on those instincts, people see him as less, because we (yes even comic book characters for this argument) only seem associate those traits with animals, with something lesser than ourselves.

The thing is, being “an animal” doesn’t need to be an insult or a condemnation of any kind. Humans are still animals but humans are still kind, and caring, humans have still created beautiful art and music and food and architecture and have got to the stars will probably go beyond the stars all while still being an “animal”.

So I think where most people get hung up on word “animal” is because it has such a negative connotation when applied to humans. And thus that negative connotation basically perpetuates itself so the only time we call other humans animals is when we mean to attack their humanity.

So back to Logan. Imo, there is no better example of this than the way people, Logan included, treat his (and subsequently him) berserker rage. Logan describes it as a monster that shares his soul, something else inside him, the real thing that makes him a monster, something that he doesn’t like, something he’s scared of, something he can’t always control but that he does everything in his power to keep away from the people he loves. Because Logan doesn’t like to kill, he doesn’t like hurting people. He might be good at it, he might be known for it but that doesn’t mean he likes it. Even when he thinks death is a deserved punishment, he isn't ever happy about having to kill. And he even says as much at one point in the comics.

And as a real quick aside, but this is almost exactly what sets him apart from Victor Creed. They're both men whose mutation gives them heightened animal like traits. The only difference is that Logan is ashamed of those parts of himself especially when they pertain to violence where Victor likes it, enjoys it; he goes out of his way for violence.

(If there is more to Victor Creed than meets the eye please tell me bc I gotta say I don’t actually know too much about him except that any time I see him in any Wolverine media I immediately laugh bc I know the two around to brawl. And I’m almost never wrong lmao)

And mind you there are times when Logan is also a hammer in the sense that he tends to punch his way through most of his problems. But he doesn't go out of his way for it in the same way Victor does despite having every reason to.

Logan has killed people but unlike Victor he isn't a killer. Even if that's what he's "the best at".

So when he goes into this specific rage that labels him a monster (an animal) it’s almost always in front of someone he loves and it’s almost always in a moment when he’s trying to prove his humanity (when it’s being used thematically and not for plot convenience). Like if you go read the comics 9 times out 10 when Logan is being called a monster or animal by some scientist or an enemy looking to humiliate him. But it’s almost always in the mitts of a life or death situation. A situation that anyone would fight light hell to get out of even with an amazing healing factor like Logan’s.

Because he still feels pain.

He still wants to survive.

He still feels.

And at the end of it all, he feels ashamed and horrified with himself and he'll always have to live with that guilt and shame. There's a point in one of the comics when he describes his heart as being slower to heal than the rest of his body and I think its interesting because although that story he's talking more from a "heart broken" sense. I also think that can apply just as equally to idea that it also harder for him to heal from not just heart break but also from shame and guilt. In certain situations, it takes longer for him to forgive himself emotionally because he suffers physically in the short term. He’ll never have a physical scar of his wrong doing and so he carries the emotional weight of it with him.

But also because he isn't just dealing with himself. In those moments when he comes out of that rage, the people he loves are in shock and are scared because they saw the “monster” and some people do reject it and in so they reject him and although rejection is something Logan thinks he deserves, it doesn’t make that pain hurt any less. it doesn't make it any easier to heal just because you agree with them, and in a way I think that's what slows down that healing process. Logan's inability to forgive himself.

Because that's the thing, Logan, would rather be scared of himself than forgive himself, be it because of his past trauma or because of the Weapon X program (which in the Weapon X comic it’s implied if not outright stated that the scientist at Weapon X are the reason he feels the fear he does about himself). Logan is scared of no one on Earth more than the man he sees in the mirror. And that’s because in his lowest moments when he looks in the mirror he doesn't see a man, instead he sees an animal, a monster. He doesn’t need the rest of the world to tell him what he already thinks of himself, it just doesn’t help that he has a choir of voices that are sometimes louder than his own telling him his worst fear is real. He is the monster that hides under his own bed but the problem is, while the monster is 'real' is a physical sense, it does not share a soul with him anymore than the boogeyman does. He wrestles with himself. Somedays he believes he's a man like anyone else and other days he can't drown out the voices telling him he's nothing more than a monster.

And as my last touch on the beserker rage, I want to posit my own theory about it. Personally believe to some extent that it isn’t part of his natural mutation and that instead it’s something that was “given” to him by the Weapon X program. The reason I say this is because I think it would make a lot of sense that like the adimantium claws and false memories it would make sense to give you “weapon” this uncontrollable rage (that mostly comes out in times of great duress). Not just because it would be one more thing Weapon X has taken from him (control over his own emotions/body) but also because wouldn’t that just make sense on the side of the people who ran the project? That your living puppet have a fail safe of sorts in case it ran into something bigger than itself? During the Weapon X comic, the scientist are constantly surprised by how resilient he is and even though some of this surprise happens in a false memory, they really do believe they can kill him at one points so if they thought they could kill him, why not something else? Why not give their investment insurance? And what better insurance for an animal than monstrous rage. 

But of course none of this is even to talk about the kind of person Logan really is. The thing that I think most people (in the comics) tend to ignore about Logan, in favor of focusing on his rough exterior (and some of his more questionable characteristics) is that he really does have a heart of gold. Now do not get me wrong, he can do some pretty fucked up shit (I will not talk about the Jean and Scott love triangle bc it gives me a migraine) but he does regularly do things that show how much empathy he has. That show that despite what he (or the rest of the world) might think, he isn’t a monster. The best examples of this are his relationships and more specifically the relationships where he’s a father/mentor. Like his relationship with Kitty Pryde and Jubilee, two kids that he basically adopts/takes under his wing and constantly goes out of his way for. Some of you might remember this post and the reason Logan does eventually fuck Wade’s shit up is because Wade literally punches the ever living shit out of Kitty in front of Logan. In another comic issue (after this), Logan beats the shit out of Wade again for punching Kitty, it’s funny but it also just goes to show that he does take protection of his family seriously. And mind you he doesn’t hunt Deadpool down, he find him by sheer plot coincidence when he’s getting a book signed for Kitty and the author just so happened to be Deadpool’s mark.

And mind you, Logan does have love for his own kids (Laura and Daken) despite the troubled nature of both this relationships but again those are a little more complicated. That’s partially for plot reasons but also because they play into just how much Logan hates himself that he struggles active show the same love for his adopted family to his “blood” family (again with Daken it’s a lot more complicated) but I also think that not only are his relationships with them fraught because of how much he hates himself but because both Laura and Daken were experimented on just and manipulated like he was (and in Daken’s case by a major player of Weapon X) so while he does love them past his own self hatred, they are also a reminder of his deepest traumas. It’s not their fault and it’s not necessarily Logan’s fault either, it’s just the cards their characters were dealt. (I haven’t read any comics with them yet so once I do I will most likely write my thoughts on his relationship with them each individually)

Regardless, Logan, depsite what he’d like you to think, is a deeply loving, empathetic and loyal person and this doesn’t just extend to people who considers family:

(Logan says this a man who not only a few issues ago was trying to kill him and his partner/friends. He saved Roughouse (the character he went berserk on a few pictures ago) because he was being experimented on in a way not too dissimilar to the way he had been by Weapon X. And if I remember correctly this is before he even knows how he got the adimantium in his bones)

He is James 'Logan' Howlett. He is a man whose life was stolen from him so many times over. He is a man who believes that the worse parts of him are all that matter and fails (or refuses) to see the good he has done in the lives of the people he cares about and believes that only death will truly bring him peace. He is someone who despite his flaws can’t help but to be kind. He is someone who fights like hell for what he believes is right. And even if he believes he’s a monster, even if the world believes he’s a monster, he will try to do the right thing because although he knows his soul is damned that doesn’t mean that exempts him from doing what good he can. He is someone who gives and good as he gets and then some. He’s the best at what he does but for him, that isn’t alway what he thinks it is.

And I think that’s the beauty of Logan as a character. Someone whose life is so wrought with tragedy and yet he is someone who can’t help but to be kind, someone who can’t help but love and care and find the humanity in the world despite the world seeming to be hellbent on taking his humanity away. Even though he (and many people in universe) might disagree with me, he is not only a one of the best humanity has to offer but he is also a shining example of the tenacity of the human spirit.

[summoningspark]

so i may or may not have printed out the entirety of @anonymousalchemist's amazing fic like a bird, like a stone onto three Very Large pieces of paper.

you might be asking, why, fay? why did you print out an entire 53k fic for a video game you've never played? well you see, if you read it, you would understand.

[r0semultiverse]

Hey, Jake & Jack fans, is this anything?

Both men imprisoned (literal & metaphorical).

Both offered an out from their current predicament by an outside force (arguably in the case of Brain Ghost Dirk).

Both have loose ties to Lord English visually.

Yellow initial glow & Gamzee involvement too.

Sometimes a guy just needs to explode (same pose too).

Both dual wielding weapons.

That same said weapon type (for Jack Noir) having killed Jane Crocker.

It's really looking like Jake is going to do her in.

I would also like to point out that we've had interactions involving these three (Jane, Jake, and Brain Ghost Dirk) before that consisted of similar topics & themes.

Brain Ghost Dirk implying that he's just there as moral support, a manifestation of Jake's powers, and as a coping mechanism. Jane also talking about ruling an empire with him while talking down to him, similar to how she saw and/or still sees him in Beyond Canon's Candy timeline. Jake also being uncertain about doing anything to harm her despite all the bad things she's doing.

Brain Ghost Dirk going away tells us that Jake's more hopeful than he's ever been. This is the moment where he is the most sure of his decisions than he's ever been in his life, whatever those decisions may be in regards to Jane and how to handle this situation.

He is probably going to shoot Jane down, quite literally. I would also argue that after all this time, the lad isn't beating the Lord English allegations. We might as well have a parallel of him killing Jane much like how Jack Noir killed her right before he got possessed by Lil Cal & given some of Lord English's immense power.

Alternatively maybe we'll get to see what the power of hope or hope bullets can do to someone whose done so much wrong & come so far off the deep end in terms of moral wrongdoings. Maybe with every shot that hits her, she'll begin to be swayed to the side of good & start to self-reflect.

I'm still not fully convinced that Gamzee actually cured Tavros' peanut allergy, I mean just look at the panel.

This could absolutely be interpreted as Jake injecting his hope power into the epipen and by proxy injecting both his power & the epipen into his son! If younger Jake is strong enough to defeat Grimbark Jade, then adult Jake might just be strong enough to defeat a peanut allergy is all I'm saying! In fact, now that I'm rambling about it, this seems like the more likely outcome is Jake's hope power swaying or (in the very least) confusing Jane mid-fight. Hope bullets, they would look cool & would be pretty strong!

The power of believing in others & wanting things to change can be a strong tool indeed, Mister English.

If there's one person who still believes in changing Jane's mind (or bringing her back to proper canonicity depending on how you interpret the recent lore), it would be Jake English, the believer.

Okay, maybe this is something! Tally ho!

[icewindandboringhorror]

There's always a slight yearning in the back of my mind wishing I had been born in the right place, time, family situation, income level, etc. to have just lived in one single house for my entire life. Imagine being born in a place that still suits you, even through all of your personal evolutions and etc. The idea of deep familiarity with an area because you've lived and explored it for 40+ years, being encased in a web of memories and connections. Being able to clean out your old childhood bedroom and find personal artifacts, to dig in the yard and remember. I know those lives can still be plenty imperfect, but there's just something so seemingly solid and stable and Grounding about it that I sometimes wish I could have.. (At least from my outside perspective as someone who's moved around a bit geographically and even within the same area, never lives in the same house/ apartment /etc. for more than a few years usually.) Like... having a place that is printed upon, fully your own, rather than chronically a visitor, every thought of a space always tempered with the notion that one day soon you'll have to pack it all up again, etc. There's something peaceful about the permanence.

[eggonthemoon]

Alien Stage Round 6 Character Analysis and Lyrics Breakdown

Okay so obviously spoilers, don't click Keep Reading if you haven't watched Round 6.

God fuck it's so fucking beautiful, where do I start?

I don't even know what is going on with those rapid shots of what I assume is some form of experiment that Till was involved in. I have no clue what the goal was or if it succeeded but somehow (for no real reason other than that one image of Luka standing behind Till ominously) I feel that Luka is involved with it.

Was this an attempt by Heperu's (Luka's guardian) rival to make a human capable of going up against Luka? Till being the youngest and Luka being the oldest also means that Till's guardian could have caught on to what Heperu was planning to do with Luka and then start experimenting on humans shortly after and it would still somewhat line up with the timeline.

But I'm getting into conspiracy territory, back to suffering!!

Allow me, to the tips of your fingers

Allow me, to the ends of your feet

Dissolve me in your gaze

I don't want to let you go

Oh this hurts. Seeing him look so defeated and exhausted, you can tell that even though to the public it's not certain whether Mizi died or not it doesn't matter to him. Because she's still gone away from his world, where he is unable to reach her. He wants to dissolve and die but he also doesn't want to let her go if there is even a sliver of hope that she lives.

Please, leave me scars

Please, hurt me so that

Not a single drop of me remains

Let me drown in you

The footage that plays to these lyrics really show how defeated he is. He refuses to sing, his passion for the art completely dead and buried. And (his guardian I assume) when someone shoves the fact that Mizi is gone in his face he lashes out and punches one of the aliens near him.

Until these falling stars

Are buried in the blur of time

However his heart isn't entirely in it and is quickly apprehended.

He is beyond exhausted and doesn't even protest or put up a fight while (the same alien he punched btw) another alien runs their fingers through his hair.

On your icy lips

Read my soul

Yes, my soul

He hopes that even if Mizi is dead that her spirit watches over him, seeing his soul and by extension, Him, for all that he is. Every thought and breath until he falls asleep is for Mizi.

But didn't we already know this is how he'd be like? Time for something juicier~

Even if your cold words

Carve scars beneath my eyes

May they linger on your tongue

You can break me apart

God this is heart shattering. Even if Till doesn't care for him, even if Till throws hurtful words his way, Ivan will still lie awake at night, cherishing what sliver of attention he is given. It doesn't matter if Till hates him, because as long as he is on Till's mind Ivan is happy. He is entirely in Till's hands, capable of being build up or torn down depending on how much (or how little) he is perceived by him.

Notice my pain

And mend me right now

To quiet my fears

I'll drown in you

He wants so deeply to be seen by Till, noticed. Till who doesn't let anything hold him down and always picks himself back up became a pillar of hope and strength to Ivan. It didn't matter how or in what context he gets to be seen, so he went out of his way to provoke him just to get Till to look at him even for a moment.

This was mentioned a while back on VIVINOS Patreon but the entire incident where Mizi and Till got attacked by that hound monster was orchestrated by him. I feel like there is two possible reasons for this depending on when in the timeline this takes place.

Either he wanted to test Till's resolve in hopes of being proven wrong about his courage (after all your hopes can't be dashed on the rocks, if you never had hopes to begin with) only for his obsession to end up growing even stronger than before.

Or he tried to let Till get roughed up enough that he'd be transferred (solitary confinement? emergency room?) somewhere else away from the others at Anakt, so they could escape together.

But we all know how that turned out.

Either way what Ivan wants isn't freedom, he's long since given up on that. There's no point in his freedom if the person that inspired him to yearn for it isn't by his side. He needs Till there, his very presence to reassure him that no matter what Till won't falter. But he failed to take account of the one thing that weakens Till's resolve.

Mizi.

Mizi is to Till what Till is to Ivan. And so without Mizi in his world Till crumbles. Since Till will only go where Mizi is and Mizi already gave away her heart to someone else, it's impossible for Ivan to be free while keeping Till in his world.

And so he follows him, resigning himself to a life without freedom.

Sick of these nights to come

To be engulfed in silence

But the distance between them is killing him, and each and every day they come closer to their inevitable doom.

It doesn't matter if they believe the lie the aliens told them, that if they die singing they will be blessed. Because what is the point in that? How can going somewhere far away from the people they love be a blessing?

In your gaze where I am seen

Consume me

Yes, me

His desires mirror Till's. He wants his soul to be seen by him, recognized for his undying love for him. He wants Till to see that he can give him all that Till yearns for in Mizi and more.

To this everlasting melody

Face to face we dance

And yet Till still refuses to look Ivan in the eyes.

Things get a little unclear but since they aren't shown singing here and there's no flashback to accompany the lyrics, we can assume that at this moment Till most likely gave up on singing.

With our story

Lost in forever's embrace

I'm not sure if Ivan intended this from the start or if it's a decision he made then and there but one thing is certain. If Till stops singing then that would mean he forfeits, he'll lose. Till has never once given up. Even when he went back for Mizi that night, he never intended to leave her in the first place. But now without her he crumbles.

And Ivan can't let that happen, not like this.

Moral grey area aside, this scene is so deeply moving to me

And I don't say that in a romantic context, absolutely not. This is something much deeper than just love. This is the culmination of everything they've been through, all those moments lead up to this.

Because this isn't a kiss.

This is Ivan throwing his life away for Till.

Till was going to loose, the only thing that could overturn that is if his opponent attacks him. The kiss was to distract Till and keep him from catching up to what Ivan was planning.

Just look at the contrast between their first and second kiss. As soon as the score board shows Till is in the lead, he gives him a gentle peck on the lips. The contrast is stark and full of meaning. This was the genuine kiss, hidden behind a smokescreen of aggressive bravado created from the previous one.

And it worked. Till was completely convinced that Ivan's intentions was to kill him, and he was fully intent on letting him.

I know a lot of people doubted his intentions. Because he didn't let go of Till's neck the minute he saw their scores, a lot of people assume that this was Ivan trying to drag Till down with him.

But the minute he coughed up blood what does he do?

He smiles.

and let's Till go.

He's only human. He might know logically that Till has won the match. But emotionally he refuses to let go until he is certain.

Until he knows for a fact that he is the one bleeding and dying he'll keep up his charade.

And then.

And only then.

Till truly sees Ivan.

As he dissolves in his gaze.

[luveline]

could i request teacher!reader with hotch? like maybe she’s jacks teacher

thank you for your request! fem!reader, 1.2k

You're a teacher: you're always tired. Overworked, underpaid, everybody knows how it goes. And maybe you've let yourself go because you don't have any real material hopes for the future beyond getting Macy Danish to read at a first grade level, but how were you supposed to know that Jack Hotchner's father would be so overwhelmingly attractive? It's not fair. 

He's handsome though older than you'd been expecting, but that isn't the cut and dry of it. When he comes in, it's alone, in a well-fitted suit. He's tall and remarkably dark-eyed, shaking your hand without trying to impose any authority, as some of the fathers tend to do, and when you call him Mr. Hotchner, he says, "Aaron, please," but continues to call you Ms. L/N.

"Aaron," you say, pulling your skirt under your thighs as you sit down. You're dressed in nice clothes for the parent-teacher conferences, but you could've covered your sleeplessness better. "Jack is the nicest boy in class. He's actually my loveliest kid. Um…" You search through your notes for the preliminary assessment of Jack. "Sorry, two seconds." 

"Take your time. I know what it's like to dig through a mountain of paperwork every day." 

"Jack mentioned you work in the government, he calls you a special agent," you say, smiling. "You get the bad guys." 

"I am a special agent. Supervisory." Aaron is conscientious enough to pretend he doesn't notice your surprise. "I'm chief of the behavioural analysis unit." 

You can't even begin to guess what that entails. "Oh," you say breathlessly. 

"I understand that it sounds fantastical." 

"It sounds impressive," you say, floundering to correct yourself. Behavioural analysis? It must be obvious to him how nervous he's making you, then, and when you realise that, you get worse. "I'm so sorry about this. I should be more organised. I usually am." 

"That's alright. Take your time." 

Does he always speak that way? His voice is like fucking silk? Is he messing with you?

You yank the notes you made for Jack from the pile and flatten them across the desk. "Okay, sorry. Like I was saying, Jack is really the nicest kid, him and his friend Molly. They're both lovely, and teachers shouldn't have favourites, please don't tell the other parents, but they're my favourites." You smile at him quickly and return your eyes to the paper. The words swim in front of your eyes. "Jack can read better than you could ever hope for a first grader, he's immensely intelligent for his age group. He's patient. He'll explain anything to anyone if they ask him too, and he does it well." 

"I'm glad to hear that," he says, again so softly. 

You pick up one of your skinny biros to have something to fidget with. He's a very good looking man, but you're a good teacher. You can focus on what to say. Some parents need good things only. Some need reassurement that they're doing a good job. Aaron is harder to read, but you know what he needs, too. 

"He can be lonely," you say, looking him in the eye. "I don't think that that's down to any fault. I'm sure you know better than I do why he might feel that way." You know about his mom's passing over a year ago. You've seen grief in children too many times. "He… I understand if this isn't okay with you, but he eats lunch with me sometimes. I encourage him to sit with his peers, of course, but I think he runs out of energy pretty quickly." 

Aaron nods thoughtfully. His brows quirk into a furrow that you're afraid is directed at you. 

"I don't think he necessarily has trouble connecting with his friends." 

"What do you think?" 

"I think something awful happened to your family, and Jack will feel it for the rest of his life, but that it won't stop him from being great. It already isn't. And… he clearly has a father who loves him and who he admires. You're his second favourite topic." 

"What's his first?" he asks. 

"He's really into Fruity Fridays," you say with a laugh. "I bring in fruits you don't get often in America. Someone would've had to sign a form." 

"No, I remember signing it. He likes that?" His smile is golden. "I can't get him to try new things." 

"He had all the leftover gold kiwi last week." You rub your lips together. Time is ticking. You have nearly thirty parents to see tonight, but talking to Mr. Hotchner has been so normal. He's a regular person in a sea of inattentive helicopter narcissists. It's a relief and a half to meet him and know a kid as gentle as Jack is in good hands. "Mr. Hotchner, I have to tell you, I'm really relieved to meet you." 

"Aaron," he corrects.

Your tone drops too low. "Aaron." 

"I'm more than relieved," he says. "I knew that this year would be harder for him. I didn't know… I'm grateful to you, for being so kind with him." 

You look down at your notes, flushed from head to toe despite your airy skirt. Crossing your legs, you shake your head. "It's my job." 

"To let him take up the only break you get all day?" he asks. 

"It's not like that. Jack doesn't bother me." You fold your notes in half. "I can see his role model measures up." 

"I could say the same thing." 

The next time you see Jack, bright and early Monday mooring shepherded by his aunt Jessica, he's very happy to see you. You offer him a hug and pat his back when he wraps his arms around your hips. "Hello, Jack. Was your dad pleased with your drawings?"

Jack smiles at you. "I have a note for you." 

"You do? Can I see? Where is it, honey?" 

Jack takes off his backpack and pulls out the note and a tupperware container. "Oh, wow, did you make treats for the class? Jack, that's so nice!" 

"No. Dad said those are for you. He said you should have nice for nice, or something," Jack informs you. 

"You'll share with me, though? I can't eat them all by myself," you whisper. 

He nods with enthusiasm and runs off to put his backpack in his cubby and his coat on the hook. You look down at the cookies and note, which is actually an envelope. 

You open it with your thumbnail. The writing is Aaron's usual tight cursive.

Dear Miss L/N, 

I hoped to thank you again in person, but work makes that hard. I appreciate everything you do for Jack. There are teachers who work, and there are teachers who go above and beyond. I can feel confident anywhere in the country knowing Jack is being taught by the latter. 

Gratefully yours, 

Aaron Hotchner. 

P.S. Please don't feed Jack too many cookies. They're not for him. 

You keep the letter even if it's lame to do so. When is the next parent teacher conference, anyways?

[denileisariver]

warnings: dick analysis!, explicit detail on male genitalia, multiple versions of batman ♡, the dark knight, batman: the long halloween, batman beyond, batman: arkham origins, batman: the enemy within, batman: wayne family adventures.

a/n: no, i'm not talking about terry.

THE DARK KNIGHT

since he has a well known reputation of being a whore, i'd imagine it's for a good reason. he knows how to make great use of his cock, with a cut length of 6.5 inches. he's surprisingly pretty veiny too, thick ones that pop out from his pubic bone and lead towards his base that feed his cock. the color of his dick doesn't change entirely too much, staying around #edc8ab, but the tip becomes a soft red when he's hard and especially when he's about to cum.

he fucks around pretty often, so i don't think his balls would be the most big and heavy, but he has a decent size. they wouldn't hang very low either. but despite himself, they're actually sensitive, and he'd become a mess if they received attention. he doesn't cum in super large amounts, but would shoot his load in long thick ropes. his seed is a very pigmented white.

he's very well kempt, maybe doesn't shave to be completely bald down there, but just so it's tidy and comfortable. but since he has long bouts of depression, i'd imagine that during these times, his pubic hair would grow quite a bit.

BATMAN: THE LONG HALLOWEEN

gosh, he has such big dick energy. his cock is 7 inches, and he's definitely mean when he uses it. he's cut and less sensitive, so it might take him some time to get off. despite his size, he isn't the most veiny, but if there was any, they would be smaller and more on his shaft, close to the tip. his tip would be a rounded mushroom shape. he has nice color to him, so even though he's not very pale, his cock can get an almost angry red once his blood is rushing down south. but mostly, his color is around #bda882.

with a huge cock comes huge balls, and this bruce has heavy ones. even though i don't imagine that he has sex very often, his balls still hang on the lower side, much of that because they're so full with cum. since they don't get touched that much, they might be pretty sensitive but not too much, though he might spasm like a virgin if they're attended to when he's close to orgasm. and when he cums, he cums a lot. so much that it makes a huge mess, and if you're not careful, it might leave stains since it's so pigmented.

he could care less to shave himself often. in his mind, there are other things he could waste his time doing, and it's not like he's going to be seen naked too much. but he does care about his appearance quite a bit if he has a partner, so he'd clean himself up a bit, but mostly just out of necessity.

BATMAN BEYOND

oh, old man bruce ♡. even though this version of batman is derived from the animated series and justice league, who i put at 7 inches, unfortunately shrinkage with old age is real, and he's just not the man he used to be. he'd be average, at 6 inches, and it could be joked that he can't get it up anymore, but that's just not true. with his age, he's lost a lot of fat and muscle, the skin sunken in, so suprisingly enough, he'd have veins on him but more so around his pubic bone than on his cock. he's also lost a lot of the color in his skin, growing more pale as he gets older, mostly around #f5ead5. because of this, his cock can get a soft pink hue when he's hard.

his balls aren't very big, though they do hang low. he's spent a lot of his youth fucking to his hearts content, and now he just doesn't have much to give anymore. so with that fact, he doesn't cum a lot either, and it would be opaque as well. he'd reach orgasm much quicker with lost stamina and lack of sex.

he's much too old to worry himself out with shaving often, and it's not like he's fucking anyone anytime soon either, so his pubic hair would grow out up until it got uncomfortable.

BATMAN: ARKHAM ORIGINS

i just know his dick is big. he has monster thighs and a monster cock. he'd be 7.5 inches with a fat girth, every part of him is thick. he's uncut and has a fat head crowned at the top, a long thick vein protruding from his shaft that leads up to his tip. even if he's more on the pale side, he has hyperpigmentation at the base of his cock, but it would fade to an overall color of #f5e5c9 on average. his color doesn't change all that much, even when he cums.

since this is the early years of his time as batman, and he's been traveling the world for many years training, there hasn't been a lot of time for sex according to him. his balls are heavy because they haven't been emptied in so long, so he can cum a decent amount, spurting out in thick globs. i'd imagine he'd cum a bit quicker as well, but his endurance would get better if he fucks regularly.

he focuses too much on work, so he wouldn't prioritize shaving that often, but he does so just enough that his hair is short and easy to manage.

BATMAN: THE ENEMY WITHIN

BATMAN: WAYNE FAMILY ADVENTURES

i imagine him to be pretty average, only 6 inches, but he's so good at using it despite him being pretty shy about it. he's uncut and has little to no veins on his shaft, with a bit of a larger, sensitive head. his cock would be curved slightly to the right, with hyperpigmentation closer to his tip. due to that, any change in color when he cums isn't very noticeable, but despite that, the head still becomes a deep red. the rest of him would be around #f0b884.

his balls would hang a bit more higher, a bit full and plump because of his lack of experience with many partners, but they're not very heavy. he does cum a lot though, a thick seed that can easily overflow and make a large mess. even if he suddenly started to fuck on a regular basis, the amount of cum he has to offer wouldn't change very much anyways.

in spite of his lack of partners, simply for his overall comfortability and preference, he'd keep himself shaven mostly smooth. it'd probably only grow out if he was too busy, and even then i don't imagine it would be very long until he's cutting it off.

hear me out. 8 inches. his kind and caring nature leaves him to be pretty unsuspecting, but he's packing a goddamn weapon in those pants. it's cut and of ample girth and veins, on both the top and underside of his cock. he'd have a pointed mushroom head, a possible deep maroonish color since he has more color in his skin than other versions of batman. the overall color of his length though would be around #dbbf8a. it wouldn't change in color too much, but his tip might darken just slightly when he's getting close to cumming.

breeder balls. no questions asked. he has an army of children, and even though he hasn't fathered them all, he might as well have. they're filled so heavily with cum that he could breed and make a couple of more kids, and he'd be damned if he didn't. he might fuck a decent amount but he cums so much, one would think sex is a rare occurance. and it might be sometimes, since he'd get cockblocked very frequently. regardless, his cum would be a decently pigmented white, and then gradually becoming more translucent as he's finishing.

how much he shaves can honestly depend if he's planning on having sex. typically, he doesn't care to shave other than to keep himself tidy and comfortable, but if he has a partner, he'd prefer to keep his pubic hair mostly to a minimum.

[barblaz-arts]

Fellow Chaggie shipper, here and I wanted to ask you a question. Could you please do an analysis post on the Chaggie argument from Hello Rosie. I know this will sound weird but I can't get over the level of icy anger Charlie had towards Vaggie or how despite everything going on, Charlie is more hurt from Vaggie not being honest with her. Just angst all around.

Oh yeah sure I'd love to!

I'm not sure there's a lot I can say about that argument that isn't already super obvious, so I wanna talk about Charlie's anger because of something my brother said as we watched episode 7. He loved that episode apparently because "When they're separated, it's even more obvious that Charlie is the one who's more quick to lose her cool." Which, looking back, is actually true!(To an extent)

Vaggie and Charlie are both quite quick to anger. Charlie is just better at hiding it because she's a chronic people pleaser. Although Charlie wouldn't immediately show her anger at a person being a jerk to her specifically, she's immediately summoning fire and brimstone over anyone who hurts/insults her friends or the cause she's fighting for.

Love this lil bit in "You Didn't Know". How Vaggie is the one telling Charlie to calm down, as if she knows what's about to happen. She knows that if she doesn't at least try to reel in her girl Charlie would be spitting literal fire at a goddamn seraphim.

It would seem like such a surprising role reversal, but if you look at all the times Charlie would lose it whenever Vaggie's not there to tell her "babe, chill", then it makes sense.

But then when their fallout happens, Charlie's short temper is even more apparent. She calls Alastor an asshole to his face even though she considered choosing his support over her father's. She openly glares and rolls her eyes at Rosie when she jokes that her and Alastor look like an item even though she still kept things cordial with Valentino after he licked her arm. She flips the bird at some old lady even though she didn't take visible offense at all the demons that inserted their crude and rude selves in "Happy Day in Hell." While she was cold and subdued even when upset with Vaggie, she was explosive and in ur face when she was pissed at everyone else.

Vaggie reigned in both the girl in Charlie who dreams a little too big and the demon who's waiting to lash out in flames. It really makes me wonder if there's a difference in the kind of person Charlie used to be before Vaggie. Before she had friends to be angry on behalf of and a person to calm her down. And then, in the wake of their argument, Charlie is left with a lot of anger that is easy to ignite.

But I love love love that despite all that anger, Charlie can't bring herself to deny that she loves Vaggie with all of her hurt heart.

This little moment is one of my favorite parts in the series. My brother mentioned that this episode and episode three were his favorites because he liked the beats the dialogues followed. So he looked back--

(the man literally paused the episode to check the opening credits of ep 7 and 3. I was a little annoyed because I just wanted my Chaggie dammit! We'd make terrible youtube reactors with all the pausing and discussing mid-episode that we do...)

--and was satisfied to see that it was written by the same person, Ariel Ladensohn. Apparently she's in a sapphic relationship too and projected her own experiences whenever she wrote Vaggie and Charlie, and it must have paid off because the moments she wrote with them felt so real.

Charlie expressing her fear that even Vaggie's support and love could also be part of the lies she told was understandable considering the betrayal she felt. But immediately following that she goes "Oh that's a horrible to thing to think!" which I love even more. Even when she's understandably mad she thinks about how Vaggie would feel over Charlie thinking that of her. Because although Vaggie lied about who she is, Vaggie was always sincere about how she felt for Charlie. Vaggie's past may have been a lie, but the things she did for, to, and on behalf of Charlie were very real and held dear in Charlie's heart.

I dont have anything smart to say to conclude this. Sorry, I'm not even sure where I went here. Let's all just appreciate the smile Charlie has on her face when she thinks about Vaggie even when she's under a lot of stress I guess.

[sp-ud]

And while I'm on my Mouthwashing analysis arc, I had some realizations about how I think Daisuke's character plays into the message Mouthwashing is trying to tell about the cycle of rape culture, inaction, and how workplace environments are a key part of why the cycle is in place.

So my realization started with me complaining about how people often go "If Daisuke had known what happened to Anya he would have-" because we don't truly know what he would have done. Then I realized, actually maybe that's the point of Daisuke in Mouthwashing.

What I mean by that is he's the youngest of the crew, not only that but he literally has no other real job experience. He's incredibly new to all of this, he doesn't know the culture and is looking at those around him, his superiors, for direction and guidance. He's a young adult who still has starry eyes and is trying his best to live up to the expectations everyone around him has even though he feels personally directionless and unsure where he wants to go in life.

Things I think a lot of Mouthwashing's audience can relate to those aspects of Daisuke, or at least significant parts of him. And I think that is the key to understanding Daisuke's purpose in a story like Mouthwashing, to be someone likeable that the audience can see themselves reflected in.

Bringing this back to how I think this plays into the message of Mouthwashing. I think the fact that we ultimately don't know what Daisuke would do if he learned that Jimmy raped Anya is important.

Because we can't 100% say that he would do anything. Because his actions within the story honestly indicate it could go either way in my opinion. Specifically what he does when Anya has locked herself in the medical room.

On one hand, we have the fact that despite him having a better relationship with Swansea and being unsure if drugging him is okay or not, he still goes with it as it's what Jimmy, the current acting captain, is saying to do. He questions it but he doesn't protest or take a different action. He deferred to the highest authority in the situation, even though he wasn't sure if it was the right thing to do, even though it involved tricking his mentor who he clearly looks up to more than he does Jimmy.

But on the other hand, we also see him directly going against what Swansea told him about not going near that vent because he could get hurt, for Anya's sake. Willing to ignore what he was instructed to do just to have a chance at saving Anya. And even after he was hurt he still kept going, he still pulled himself up and unlocked the door.

So, if Anya had told him, what would he have done? Would he have risked his own standing and possibly even his safety with the higher authority figures for her sake? For doing what's right? Or would he be scared? Perhaps see the others inaction and follow their example even if he felt it wasn't the right thing to do?

What would you have done? What will you do if a co-worker/friend confides in you that someone else you know, perhaps even a higher up, sexually assaulted them?

And that's why even though what prompted me thinking about Daisuke's role was me being annoyed at people who focus on "What Daisuke would have done if knew?", I now see it differently. As people reflecting what they hope they'd do if in a similar situation on to Daisuke, and I think that's the point of his character in Mouthwashing and why we aren't given an indication of a clear answer.

To have us acknowledge that no, in reality, it can be hard to do what's right. That sometimes we will play into these toxic and harmful cultures even if we know it's wrong. And sometimes we might do it without even realizing it.

But that doesn't make anyone a bad person. Because we do want to do what's right, we don't want to be compliant in this cycle anymore. And acknowledging that it will be hard isn't saying that we shouldn't even try, it's just acknowledging that it'll be hard.

Daisuke represents the hope that things can improve while not ignoring the uncertainty many people have if it's even possible for things to get better.

[becausegoodheroesdeservekidneys]

so i'm a graduate student at a prestigious university in north eastern united states and one of my professors recently made a very oblique announcement to the class to the effect of "i've noticed some people using chatgpt. won't say who though. won't tell you if it's you i am talking about. but just so you know. i can tell when you do it."

and like the anxious person i am, i have started doing the student equivalent of when you are in the airport security line and wonder if you accidentally packed a gun and a kilo of coke. "what if this essay i wrote accidentally sounds like chatgpt and she hates me now"

from your point of view: is this possible? i have never once used chatgpt, i don't think i even know how, but not every single one of my academic contributions is as stellar as i'd wish (ya girl is sleep deprived). please help me shut down the anxious brain that is saying i am somehow being suspected of using chatgpt when i hand in just plain old, home grown mediocrity.

Haha! It's extremely unlikely that you would accidentally false-positive flag as using ChatGPT. You kind of... get your eye in for this stuff? So generic bland writing isn't enough by itself.

Here's a very quick list:

Fake references and citations. MASSIVE giveaway

Factual errors. But like... BIG errors, and errors that build on each other (it's called hallucination). So first it claims that coal spoil makes poor soil because of drainage (true), then it's because it's sandy soil (false, bad drainage in the wrong direction) and then before you know it it's recommending palm trees and mangroves for planting (wtf)

Sentences of the same/similar lengths in same/similar sized paragraphs

Maddeningly vague topic coverage. Zero analysis. Everything is broad strokes, no real examples or case studies given. If one is given, it turns out to be fake.

And, the standard hallmarks of cheating. If the offending piece was only partly written with an LLM, there's a difference in writing style/language that's super obvious among other things.

The other thing, though, is that you can protect yourself to an extent by saving your assignment on OneDrive (or whatever equivalent your uni offers) and working on it from there, with auto save enabled. This is because modern OneDrive Word allows you to access a file's version history. It's much easier to see when a file has been genuinely written line by line Vs copy-pasted in a block from destinations unknown. So, if you are challenged, you have a bit of a backup if you can go "Here's my version history for you to explore, here's my planning doc, have fun."

But, genuinely, I can assure you that lecturers are actually more accustomed to reading mediocre work than anything else lol. We know what that looks like. It's staggeringly unlikely that your work could be accidentally mistaken for an LLM generated piece.

[room-surprise]

Analysis of Laios and how he hugs/interacts with people, pre and post-manga.

Reading body language in real life is basically pseudo-science most of the time, however, these aren't candid photographs of real people I'm analyzing, they are drawings purposefully made by Ryoko Kui to tell us something about Laios and his relationships with other characters.

These illustrations are designed on purpose to communicate information. So what do I think they say?

Here's the illustration of how things are at the start of the manga:

NAMARI AND CHILCHUCK

They're both rough towards Laios, expressing displeasure with him, using violent physical touch to get his attention or punish him for something.

TOSHIRO

His reaction to Laios is totally passive. He isn't turned towards Laios, but he isn't turning away either. He's staring up into space with a look of discomfort, suggesting he wishes Laios would leave him alone... But that he is too polite to openly reject him.

We know this is partially a cultural issue: because Toshiro is Japanese, he considers it catastrophically rude to tell someone "no" in a blunt way. He is trying to communicate his discomfort and disinterest to Laios, but Laios isn't understanding Toshiro's signals.

Meanwhile, Laios is turning his whole body towards Toshiro, his eyes are wide open, he's smiling. He's very eager to interact, in a way that he isn't with any other character on this page except Falin.

MARCILLE

They are having a neutral interaction. Neither of them seems excited or interested in each other, but they are talking seriously. Marcille is gesturing at Laios in a way that seems scolding, they are standing at a polite distance, and Laios is standing at his full height, perhaps even leaning/straining away from Marcille slightly. There is a physical object (Marcille's staff) acting as a barrier, and it's physically pushing Laios away from her.

But it is worth noting that he has his hand on the staff, suggesting that he's not letting himself be pushed away any further, that he's having a reciprocal interaction with Marcille, not a passive one where he just stands there and gets lectured. Laios is participating and engaged.

FALIN AND SENSHI

The only people having unambiguously positive interactions with Laios on this page, which makes sense since they are the two people who are the most friendly towards him at the start of the manga.

Laios and Falin are touching hands, smiling and their bodies are turned towards each other, showing enthusiasm and a mutual interest. This is less intense than the hug in the post-manga illustrations, which maybe suggests that there's something distant and unresolved between them here, like resentment and guilt.

Laios and Senshi are closer to each other than Laios and Marcille. Laios is sitting or crouched down to get closer to Senshi's height, and they are both smiling and turned towards each other. Senshi may even be laughing!

Here's the "post-manga" image...

What a huge difference!

All of these interactions are basically positive, so I'll just go left to right, top to bottom. Also for some of these, we can't see Laios' friends full reactions, so I'll focus on what we can see, and how Laios is behaving.

SENSHI

They share a gentle hug. They both have their arms wrapped around each other, so the desire to touch is mutual. Laios bends to reach Senshi, and has a calm, content smile on his face while they hug. Laios rests his head on top of Senshi's head, showing trust and intimacy and a desire to be physically even closer to Senshi than just hugging. Senshi isn't pulling away, so I think that's a good indicator that he doesn't mind it, and possibly even likes it!

Which is a big change from how he felt violated by Laios touching his chest earlier in the manga, even though Laios was trying to heal him... I think Senshi isn't someone that easily lets others touch him, so this is a big improvement.

CHILCHUCK

The size difference makes this hug awkward, but that's not the only reason! Laios has both hands on Chilchuck and he is bending down in order to reach him, suggesting that he wants to embrace his friend, however Chilchuck is not straining to reach Laios, and he is only using one hand to touch him, suggesting that Chilchuck doesn't want to embrace too closely. Chilchuck is willing to allow a hug, and he is willing to touch Laios back, but he doesn't want it as much as Laios does.

I think Laios is aware of this, because he isn't trying to push the hug to a higher level of intensity. He's holding back to the level he thinks Chilchuck is comfortable with.

MARCILLE

They share a happy, but not overly intimate hug. Their chests and bodies are pressed together, but they are turning their heads away from each other.

Laios' hands are resting side by side on Marcille's back, and it seems like she is hugging him back in a similarly loose way. His arms are not overlapping, and they aren't squeezing or grabbing each other, just holding on lightly while pressing their chests together.

TOSHIRO

What a fascinating set of drawings!

I'm going to assume that the color drawing is what happens first, and the black and white line drawing is what happens afterwards, solely because if the black and white drawing is meant to just be Laios' fantasy of hugging Toshiro, then surely he would imagine Toshiro hugging him back enthusiastically, and not a more passive reaction like Kui drew.

Kui wrote a note here to remind readers that hugging is not considered normal in "the East", where Toshiro is from, to give context to why the character seems so uncomfortable.

Laios is approaching Toshiro at high speed, arms open and reaching for Toshiro, eyes wide, with a happy expression. He clearly wants to wrap Toshiro up in a big, enthusiastic hug.

Toshiro is sweating with discomfort, and he has a hand pressed against Laios' chest, attempting to stop him… However, the arm is not extended and his elbow is bent at an acute angle, and it looks as if no force is being applied. Toshiro perhaps feels a need to offer a token protest, but he isn't really trying to stop Laios.

In the black and white hug drawing, Laios has both arms wrapped tight around Toshiro, much tighter than Senshi, Chilchuck or Marcille, and he's pressing their bodies together and resting his head on Toshiro's shoulder. He's turning his face towards Toshiro's neck, and smiling serenely.

Toshiro's body is stiff, he's sweating, and his arm is held at a rigid 90 degree angle… But he isn't using it to push Laios away, just holding it uselessly at his side. Perhaps he is half-way towards returning the hug, thinking about lifting his arm a little higher and resting his hand on Laios' back, but he isn't sure if he wants to do that yet.

Toshiro is bending his body towards Laios, and allowing himself to be pressed against the other man. He's staring out into space with a neutral expression that suggests either discomfort or surprise. I think we're meant to understand that he has given up fighting against the foreign, offensive hug, realizing that it isn't offensive for Laios, and therefore it might be okay to allow it...and it might actually be more offensive if he rejected the hug.

FALIN

Falin has thrown herself at Laios with considerable force, and Laios has his arms overlapping across Falin's back. They are both squeezing each other tightly with their arms, and even Laios' hands are gripping Falin tightly. There is an overjoyed look on Laios' face, and I think this embrace shows how Laios has healed through the course of the story.

KABRU

Since Kabru is one of Laios' newest friends, it makes sense that the hug would be the least intimate.

The two of them have a complicated relationship in the manga, but the complete world bible shows that Laios has finally accepted that Kabru is genuinely his friend and not just trying to use or manipulate him. He's made an effort in the post-canon to reach out and try to be Kabru's friend in return, and Kabru has forgiven Laios for not listening to him in the past.

Kabru is turning his body away from Laios, which puts his shoulder towards Laios' shoulder at a perpendicular angle, forcing distance between them. Laios is fully facing Kabru, and has one arm behind his back, a hand resting on Kabru's shoulder, and another hand resting on his chest. The hand on the chest is attached to an arm that is bent at an obtuse angle, holding Kabru at a distance, with no indication that he is trying to pull Kabru in. Both hands are relaxed, like in the Marcille hug, indicating that Laios' grasp is loose.

This arm position is pretty unusual for an embrace. It allows Laios to keep Kabru at a distance where he can see him, and control where he moves, and how close he's able to get to Laios… and Kabru isn't returning the hug in any way, instead allowing himself to be touched and held in place.

Their bodies aren't pressed together, and Kabru's arm is down at his side, neither encouraging Laios nor pushing him away.

Laios has a big smile on his face, and he looks enthusiastic. Kabru on the other hand has a calm smile. In my opinion his expression is less enthusiastic than Marcille's.

I think Laios can't tell how Kabru feels about the hug, and so he's holding himself back. He's not blinded by emotion like he is with Toshiro, so he's not flinging himself at Kabru… And because Kabru is such a new friend, Laios is also probably hesitant to get too close to him.

There may also be some lingering trust issues, if Laios still isn't completely certain if Kabru genuinely likes him or not. Laios has often had trouble telling if people really like him, or if they are just being polite (Toshiro), or using him (former party members), so it makes sense that it would take awhile for him and Kabru to become truly comfortable with each other..

[ziocio]

Something About Those Left Behind.

Maybe each of them has a part of you after all, Mephone4. . .

ANALYSIS/THEORY RAMBLE IN READ MORE !!

Perhaps I'm going insane and it's the 4/5 am speaking but...

Each of them represent Mephone4 in a way. That's why they're the ones he left behind. This is why theyre the finale 4. This is why Taco is also here. This is important.

Baseball

He's more so a follower than a leader. Which is easy to say Mephone4 was a follower to Cobs.

He did what Nickel thought was best, even though Baseball even doubted the suggestions. Nickel always talked down to Baseball's opinion, and even used Baseball against himself at times. He needed Nickel.

Nickel wasnt the leader, yet Baseball was following his every word.

Mephone4 created the show, but Adam... Steve Cobs was always pulling some strings here and there.

Eventually, when Nickel was eliminated he felt so so lost. He had no direction, no where to go.

Mephone4 had no direction at first himself when he learned who Cobs truly was. He felt betrayed by the one who was closest to him. Hurt. So he fled.

They're both running away from the issue. The home they made. Certain people they should've cared more for and listened to. (Suitcase/Toilet)

Baseball is also the part that wants to get serious from what he fled from.. from what he lost... but could never really confront the problem until it's brought up to his face.

Similiar to Mephone4! But he took copium in a different route. Which leads to-

Lightbulb

LIGHTBULBBB... Ughhhhh!!!

She is all of Mephone4's suppression.

Focus on fun! Games !! Whimsy, silly!!

Distractions.. Lightbulb was sad and alone on the inside.. but on the outside, she is cheery and happy!! Nothing can dull this bright light! She's not even transparent !!

This can also apply to Mephone4. He runs this show to escape his problems, to have an escape from his worries and fears. Lightbulb symbolizes his anxieties by completely ignoring her own.

But that shell started to break once all of Lightbulb's companions were eliminated from the game. She was alone and disheartened. Her emotional support, gone. The lightheartedness was still there, but was breaking. All the pressure weighing on her shoulders, the pressure of being responsible. The pressure of doing good to her team!...

Similiar to the pressure of needing to be perfect. Generate this perfect, do this task right. Isn't it, Mephone4? The need to satisfy.

When she finally gets her crew back, she lights up again. Mephone4 needs this fake reality, because like Lightbulb with the Bright Lights, the contestants are his light too.

When Lightbulb comes face to face with MephoneX, she sees Paintbrush before the end, supporting her. Trying to help.

She accepts her defeat, her end, with a smile.

Mephone4 didn't have any support. He accepts his defeat with a frown. If he had a light at that moment, perhaps he would've been more confident.

Suitcase

Suitcase, out of all the others, is the only newbie left in the competition. She's been around the least amount of time.. she's new.

She's alone.

Sure she met Nickel, Baseball and Balloon, but as the final four, she doesn't trust Baseball anymore. Nickel and Balloon got voted out.

She refused to bring Baseball into the final two due to the issues of leadership and trust. Knife gave her trust and friendship, what true alliances could be.

Mephone4 trusted Floor in season 3. What partnership done right can provide you if the two parties actually accept one another. And are honest.

Other than this.. Suitcase focuses on the false parts of reality over reality itself since she can't figure out what's real or fake.. This can relate to Mephone4 struggling to let the show go.. this is his life, he doesn't want to leave it. Everyone here feels real yet he didn't realize til later that it's all fake.

One last thing relating to the two.. they're outside the comfort zone.

Suitcase is the one season 2 debuter that was left over. Mephone4 was the most unique out of all other Mephone products. They're a needle in a haystack.

Knife

Knife is a bit more hard to crack on how he relates as I dont have as much thought on him.. but here's some thoughts...

Knife overall is a tough guy. He focuses on reality more than fiction. He's a contrast to Suitcase, who struggles to piece what's real and fake.

In relation to Mephone4, Knife can act a bit smug. Mainly when it comes to his teasing with Taco in S2E15, it gave some kinda Mephone4 charm of messing with people.

He cares for people despite his fronting jerk attitude, being accepting and even providing advice.

The best trait Knife can be given is his major growth from who he once was. He was always a soft hearted guy, but he slowly learned to show that more often to the outside.

As for Mephone4.. he's also attempting this. It's just much harder for him.

Mephone4 has the constant show/host persona up, yet it is shown the contestants mean alot to him.. more than they could ever possible understand.

Like Knife, Mephone4 learned how to express himself just a little bit more..

Taco

Taco. Taco Taco Taco.

It's easy to pick up what she's about..

Betrayal. Wanting to leave it all behind. Staging an act. A front. Manipulation.

So much of this can relate to Mephone4 and his history.

Taco is all of Mephone4's guilt, thoughts, trauma and etc jumbled into one messy taco oc.

Taco put up an act, Mephone4 puts up an act.

Taco went into hiding, Mephone4 went into hiding.

Taco is British, Mephone4 is- uh... no he's not British. Why is Taco Britis-

Back to the point.

Taco is the most in depth character out of them all. Her whole story line can be pieced and compared to Mephone4's, at least in theming.

It all starts in season 1, where she's different from the rest of the cast. She's zany, wacky. But she also has smart moments. The finale of season 1 showed she fooled them all, planned this from the beginning.

In a way, this here can relate to Steve Cobs. Mephone4 maybe felt like he was being played the fool. He thought Cobs of what appeared like a father figure.. someone he could have fun and joy with. Later down the line, Mephone4 realizes Cobs wasn't what he pictured him to be. Which was a cruel person who harms others for his benefit. (Mephone3gs)

Taco also harms people for her own benefit. She betrays Pickle, manipulates Microphone, is a thief, kills Test Tube, and practically offers weapons at any given notice.

An innocent object who actually wasn't a friend at all. Someone who betrays others.

But unlike Cobs, Taco is much more than that.

Alongside Mephone4's betrayal of Cobs' true motives, Taco also fits Mephone4's overall rebellious actions against Cobs.

If Mephone4 ever chose to rebel that is. Mephone4 ran away, but Taco strikes back. She's probably what Mephone4 wished he could've done. Take action.

The moment Taco noticed Microphone leave the game.. she goes to convince EVERYONE to leave the game.

What if this was also a parallel to Meeple?...

What if Mephone4 truly wanted to help everyone there.. but he just couldn't.

In the end, the thought of Pickle finding Taco broke her down. The one who she hurt.. finding her here.

Mephone4 breaks down at the thought of everyone finding out. At the thought of Cobs finding him.

In the end.. each character Mephone4 froze in time and left behind...

Were him.

He was overall... running from himself. Not just Cobs.

Himself.

His story. His life.

Things outside of this show.

The two leaders. The two sides of positivity and negativity.

The two finalists. The borders of reality and fiction.

Taco. The outcast and desire of needing a change.

They're all for you, Mephone4.

[1moreff-creator]

DRDT CH2 PT2: Full Analysis

While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!

WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.

Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).

(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)

How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.

Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.

The Case

Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.

Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.

If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.

As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.

To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.

We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.

In the series, however, we get:

Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.

You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.

That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.

And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.

Character Analysis

I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.

Mai Akasaki

No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p

Xander Matthews

He got mentioned, but he’ll come up in David’s section so. Skipping him. 

Min Jeung

Well, there were a few references. Such as:

Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.

Something something, David-Xander vs Teruko-Min parallels, etc. And also:

I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!

There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.

MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.

Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.

Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?

We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.

But hey! We might get more Min content in the future! I, for one, am very, very excited.

Charles Cuevas

Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-

Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.

-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)

J Rosales/Moreno

Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.

I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).

Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible. 

…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways. 

Or maybe Mariabella killed a guy. Yeah, sure. Why not?

Veronika Grebenshchikoba

There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea. 

We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-

Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?

… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).

The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:

Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.

I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D

But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.

Veronika: Oh my. How tragic.

She is such an awful person, just such a piece of garbage. I adore her.

Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"

Veronika [about Min, 1-12]: Min died in such a cruel manner...

Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.

Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...

So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!

+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.

+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.

+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.

+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.

Whit Young

.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?

Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.

Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person! 

That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?

Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…

You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?

Food for thought. Again, not much reason to believe it yet. 

Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.

Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...

And, of course.

Whit: ...

Of course.

Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.

You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.

As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.

That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.

Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.

Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?

Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.

This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.

For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.

The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?

Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?

He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?

Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.

And you know when he splits off from Charles?

Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.

My guy will genuinely do anything except investigate the playground.

And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:

Whit [2-9]: Eden has [the note]. Ask her.

He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.

With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.

By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.

This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.

Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.

Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.

Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.

Arturo Giles

I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.

Arturo [2-12]: You shut your whore mouth!

"I thought you were only doing necessary imag-" This one's necessary shut

I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.

The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.

Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:

Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--

Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...

Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.

Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:

Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?

Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.

MonoTV

I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.

Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-

Rose Lacroix

Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol

Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.

Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--

Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.

You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.

The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.

Arei Nageishi

You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.

For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.

But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!

Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.

... Well the context's different but you get the idea.

Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.

Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?

David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.

Ah right because David is a well written character. Carry on then.

I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.

Eden Tobisa

Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)

There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.

Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.

I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).

There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.

Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!

On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!

The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:

Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....

AAAAAAAAAAA-

Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:

Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.

The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v

Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.

Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.

How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.

This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D

To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-

Ehem. The point is I like Eden a lot :D

Speaking of wonderfully human moments, time to switch to the other big Eden character moment!

Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.

You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.

Anyways, here's a few more fun Eden moments this part gave us.

Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.

I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)

Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(

It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.

Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.

Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-

Ah. Right.

Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!

So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...

Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.

Fuck am I supposed to gather from this.

Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???

Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.

Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-

Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D

Nico Hakobyan

Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.

First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.

Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...

Were they just... lying here? Did they mean something else?

My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:

Nico [2-14]: I tried to kill [Ace] because I don't like [him].

When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v

Second.

Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.

Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:

Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.

I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.

Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.

Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.

Next point:

Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.

... Yeah.

Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.

I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.

Except:

Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]

This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.

Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.

Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.

But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.

Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.

... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.

Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.

So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.

Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.

Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

... We're gonna have to talk about this in the Hu section.

Finally, "I don't expect you to forgive me. Very few people ever do."

Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?

Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.

There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.

Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...

Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.

That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.

Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.

And it's not like anything this chapter erased the FTE:

Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.

So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D

Final highlight:

Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...

Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.

Hu Jing

Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.

Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.

Well that's just sad.

I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:

Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.

And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.

(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)

As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.

Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.

Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.

Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.

Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.

(Obligatory props to VAing ofc)

I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:

Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!

Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.

Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--

Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?

Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.

If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.

So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.

Though, speaking of Hu blaming herself for what happened to an extent:

Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.

This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.

Did any of that make absolutely any sense? Maybe. Hopefully.

And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.

Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.

The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.

But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:

Hu [2-14]: Eden? Please don't cry.

She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.

So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?

Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.

The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.

Veronika-Arturo is funny because, well.

Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!

I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.

Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.

Miscellaneous highlights!

Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.

Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...

Damn she really gets defensive when you question her reliability huh?

Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.

...

Oh. Oh no.

David Chiem

YOU

WHAT THE FUCK IS WRONG WITH YOU?!

Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.

The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.

David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.

While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."

This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.

David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.

You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.

This is where we get to Weird Point #1. David didn't want to lose the first trial.

Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.

If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).

However, something in David shifts upon seeing Min's execution.

David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.

This line is said pretty somberly.

Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.

David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?

Where he seems to imply a wrongful vote will cause 16 deaths.

But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.

David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.

(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)

However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."

David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...

Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.

Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.

So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?

Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.

David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!

(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)

I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...

So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.

So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.

But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.

Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:

Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.

Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.

Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).

Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.

What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.

Especially because David does, in fact, seem to have a very weird fixation on Teruko.

David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...

(Obligatory props to VAing ofc)

... Alright so it's five questions. Because how does he know all that?

Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.

Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.

Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.

Like, that's the face of a man who tried to be slick and failed miserably.

(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)

In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.

Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.

And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.

By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.

That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.

So, let's recap.

David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.

David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.

Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.

David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.

As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.

And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.

David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.

So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.

But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.

So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.

And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.

David [2-8]: Of course. Of course this would happen.

David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.

(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)

Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.

There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.

Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.

Final note, completely unrelated.

Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!

Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.

Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!

Levi Fontana

Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D

Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.

Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.

Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.

Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.

Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.

Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.

Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?

We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.

Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.

One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.

Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.

Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.

Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.

Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.

One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.

Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?

Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.

Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.

This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.

Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.

I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.

Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.

(why is everyone blue you're fucking up my color schemes-)

Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~

I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.

Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.

I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:

Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.

Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.

Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!

Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.

Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.

Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."

However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.

Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-

Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."

-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.

By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.

Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.

So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.

I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."

Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?

So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.

Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.

Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.

Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.

Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.

Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.

Also, "I did everything so I could have a better life," huh?

Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?

Get paralleled, idiot >:D

Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.

But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?

Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.

Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.

Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!

Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.

To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.

They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.

However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.

Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.

Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.

Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.

I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/

Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.

Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?

Nico [to Hu, 2-14]: I never asked you to defend me--

Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.

Okay time to continue with 2-13 because no we're not done with it.

Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.

Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.

We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.

Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.

Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.

The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.

Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.

Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?

Very interested in seeing where Levi's character goes from here!

Teruko Tawaki

You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v

I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.

David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!

She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.

Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?

I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.

2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.

Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.

Yuri stays winning.

Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.

Speaking of that.

Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.

YURI STAYS WINNING!!!

That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.

That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.

Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.

Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.

Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.

Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.

Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.

I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.

Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!

So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-

Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!

The foils ever.

Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.

Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p

Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.

Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.

But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.

Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.

Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...

Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.

Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(

Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.

But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.

Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.

Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.

Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-

Yeah you get the idea. Too much peak for me to write it all out.

Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.

That was the biggest Teruko thing, but there's still more to cover.

Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!

Uh... someone's projecting~

Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O

(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)

Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.

Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!

Ace Markey

Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.

That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.

Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p

Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?

Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.

Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.

We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:

Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!

Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.

So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p

But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.

Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.

So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."

No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:

Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!

Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.

To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.

Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.

Well he sure did take the killing game seriously after this point now didn't he?

Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.

The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.

Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.

Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!

Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.

Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?

This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.

Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.

And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."

Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.

How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.

J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.

My personal opinions on this are probably best saved for when we get the full picture in just a moment.

And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?

Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]

Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.

Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...

Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.

Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]

I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.

The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.

You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.

And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.

Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?

At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.

In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.

Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.

Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.

But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.

Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!

There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.

You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!

Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.

It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.

I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.

As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.

---

I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.

I'm being silly, of course. Thanks for reading, hope you enjoyed!

[lamnwar]

Hey me again, lmao

Could you do Kiyoshi + Gom as husbands, If so thank youuu xxxx

Hi there, love! 💕 love love love this request!! I spend all my time daydreaming abt being married to these boys LMAO it's embarassing 😭 alsooo ik I took long before getting to your request but I wanted to finish all the big os requests first before working on hcs bc it's more heafty so sorry for my shitty habit of taking too long for simple stuff :((

HAPPILY EVER AFTER // KNB Headcanons

Context: what I imagine married life to be with these characters. 🥰

Pairing: GOM + Kiyoshi x gn! Reader (gender not specified)

Warnings: mainly fluff and crack, can get a bit suggestive in Aomine's (of course it's always him 😭) so mdni!

AKASHI

Rich, handsome and a gentleman!!! Literally the Holy Grail of husbands

The kind to spoil his pretty spouse out of love

Takes you out on a date at some fancy restaurant at least once a week

He's also very independent!! Now, I think he's the kind to hire people to help around the house but that doesn't stop him from doing chores

He'll always help you doing stuff for the house if you need

He has amazing taste!! Take him furniture shopping and you'll end up with on of those houses you see in AD

Brings up the subject of you dropping your work so you can stay home while he's the breadwinner

He's a bit traditional in that sense because he really doesn't want you to work if it's unecessary, you know?

I mean he's crazy rich so does that even make sense to make you work?? (Unless you absolutely want to)

Wakes you up every morning with a kiss!

He always had the proudest smile when he introduces you to people as his spouse <3

MIDORIMA

TREATS YOU LIKE A ROYAL OMG

This man takes marriage very seriously, listen

He most likely did a deep analysis of your birthchart before deciding that you are the right one for him

Naturally, as your husband, he gotta get you your lucky item of the day everyday

You don't even believe in that stuff but it's his love language, I guess

Not much one to go on dates unless you want to, then he'll be up for it

He's more one to enjoy time with you at home

Something like having a nice diner and cuddling while you read

The kind to love going grocery shopping with you

Every once in a while, he'll buy a fancy bottle of wine just to share it with you

A very supportive husband!! Every project you have in mind, he's already done the research to find the most efficient way for you to accomplish your plans

Not a PDA guy but he'll happily hold your hand when you're at gatherings together

May not be very vocal about his love for you but you better believe that he talks proudly of his spouse to every one he knows

KISE

He is OBSESSED with you

Man never left the honeymoon phase, he's so crazy about you

Takes you to his fancy modelling events and shows you off to every one he meets

He also buys you lots of clothes and acessories

Dare you say something is cute, he's already inside the shop buying it for you

Tries his best as chores but it's not really his thing

Will help as much as he can, though!

Breakfast in bed kind of guy hihi

And it happens a lot because let's be real, that man isn't the kind to let you sleep at night

Like I said earlier, he's never left the honeymoon phase so... yeah

Wants to be the kind of husband that gives you his credit card and tell you to do what you want with it but you have to decline

It's ok though, he'll fine plenty of other ways to spoil you

You have that cute habit every week of taking baths together

The kind to miss a day of work to take care of you when you're sick!

AOMINE

Daiki never thought he'd ever get married, but then he met you

Not the best at being a husband but he really tries!

Like he makes an effort of not being too lazy and messy

Leaves the chores to you mainly, but will give a hand

Like if you're cleaning around and need to put stuff on the top shelf, he'll do it for you

Not the best cook so he lets you make food while he does the dishes

I'm trying to delay the obvious but that man never stops being horny for you

Literally sits and daydream of fucking you on every surface of your home

Gets so riled up at the sight of that ring on your finger, he can't believe your all his

The kind to follow you everywhere you go, even if it's for some stupid errand

Takes you out to the beach or for a picnic as soon as the sun is shining outside

Buys you clothes he thinks you'd look good in and surprisingly, he's got amazing taste

Loves when you refer to him as "husband" in conversation!!

MURASAKIBARA

So casual about being married, most likely because to him that doesn't change a thing about the way he feels about you

Likes that now he gets to have you with him all the time

Cooks for you! Buys you snacks! Takes you out on restaurant dates!

Sharing is caring so he only ever shares his snack with you

I can see him being into matching outfits (if you can find any that fits both him and you)

A bit lazy so he doesn't help around that much unless you tell him to

And even that, he'd do some chores before getting distracted

But listen, it's ok though because he makes up for it in over ways

He's very caring, only because you're his spouse

Cuddles in bed, at all time! He just feels clingy sometimes

He smiles softly when he plays with your hand and sees the ring on your finger

He likes to sit you on his lap often

Basically being a husband doesn't differ much from how he was as a boyfriend

Very casual about calling you his spouse all the time, even in front of others

KIYOSHI

Kiyoshi Teppei was born to be a husband!!

Because he grew up with his grandparents, he's got the habit of taking care of a household and the people living in it

So he naturally took in most of the chores and he's good at it!

Doesn't want you to get tired either so he'll do most things

Pays attention to all the little things so you're always comfortable

He also likes going for a run/the gym with you and he's so encouraging!

Has the stupidiest smile on his face everytime he looks at you

He holds his grandparents as a reference so he really hopes you'll both grow old together, still madly in love

Don't get that man started on building a family, he just gets too excited at the idea of being a parent!

He'd be a great one too, but the final decision is up to you. Either way, he's just happy being with you.

I don't know what else to say because he's just made to be a husband, yk?

Yeah, probably the best person to marry <3 (I'm very biased)

[andy-wm]

i'm wondering how your thesis of "idols will come out when they want" fits into your insane shadow analysis attempting to prove jimin and jungkook fucked in the middle of their travel show (amongst other things)? like do you get joy out or trying to drag someone out of a closet they might not be in? or is it something else? just curious! 😀

Hey wdcmaxy

Since you have the guts to use your name I'll respond :)

So, you read my thesis?

*Sips whisky*

Cool. And you read my insane shadow analysis too?

Hmmm... do you come here often?

Let me answer your question then.

I think we both know the shadows analysis isn't really insane - it's based on very basic earth science. Shadows grow longer as the day progresses because of the rotation of the earth on its axis. You sound reasonably literate so i assume you know this already.

I guess your description of my shadow analysis ( I think I'll name my next racehorse 'Shadow Analysis') as insane is an attempt to discredit the idea that a fair bit of time passed while Tae was out of the house? But that was kinda silly on your part. Even children know that shadows change as the day passes.

Nothing insane about it.

He was gone for hours, no debate.

Now let's move on to the fucking part, and when and how idols choose to come out.

This is actually worth discussing.

As flattered as i am that you think my tiny insignificant blog could be a game changer for anyone, let's be real.

How many people, besides yourself, do you think read my blog?

Serious question.

I'm estimating maybe 100. Double that on a good day. Maybe 300 if i write something REALLY profound which doesn't happen often.

I am way less excited about my impact on the world than you are, because I'm a realist.

BUT if by some strange twist of fate my blog came to the attention of someone whose opinion mattered (I'm not counting you, don't worry) do you think they would take it seriously? Do you REALLY imagine a random tumblr post about shadows could make someone believe that an idol was gay if they didn't already believe it?

Here's a great example of how that wouldn't happen:

You, dear reader.

You're my example.

You came here to tell me I'm speaking shit and that I should pull my head in, correct? My insane shadow analysis hasn't changed your beliefs at all. You're here, throwing a tantrum on my page, because you don't agree with what I'm saying, not because you suddenly believe it.

Or ...

Perhaps you suspect it's true and that scares you. Maybe you can't be absolutely sure I'm wrong and that's why you need to yell at me? Could that be it? Time for a bit of self reflection?

Either way, it's not going to make an iota of difference in the grand scheme of things.

We are all just dust motes floating through time and space, my friend. You dont need to worry so much. The universe is unfolding exactly as intended.

However... There are a couple of things we should agree on:

The fact is that the shadows grew long and therefore, time passed. And Tae was out for several hours. Maybe he went out for a bit of afternoon delight himself? Maybe Jimin and Jungkook played Pokemon Go all afternoon, or prayed, or practiced their English, or braided each other's hair.

Regardless of whether they did or didn't fuck, or how many times, or on what surfaces, the time still passed.

And whether I write my blog or not, people will believe what they believe. And they will be gay or they won't be gay.

And even though I never mentioned anything about them fucking in that post, whether you like it or not Jimin and Jungkook might be fucking right now, as you read this.

One last thing...

Please bear in mind, through all of this, that fucking is not the be all and end all of life. Sure its a lot of fun if you do it right but the notion that it's more meaningful than sharing your innermost thoughts and feelings, or giving someone your time and energy, is bullshit.

You can have a roots-deep love for someone and never even think of fucking them. Or you can meet someone in a public toilet and have at it, and leave without even knowing their name.

Sex does not equal love. Fucking is not that big of a big deal.

Unless...

Unless you're fucking someone the patriarchy doesn't want you to fuck. Then its a major issue.

Hear me out.

The need to control who we fuck is based a patriarchal need to control material wealth.

To control material wealth, the patriarchy needs to control reproduction (so they can be sure their wealth stays with their bloodline, because wealth is built over many generations) and to do THAT they need to control womens' bodies.... and to do that, of course they need to control who women fuck. And who men fuck too!

Do you know what the ACTUAL issue is with men who like dick? They don't automatically buy into the patriarchal way of life. (where's the solidarity, lads?)

Why don't they?

Because lifelong monogamy and marriage and nuclear families don't matter as much when you're not equating love with sex, and sex with reproduction. When your goal isn't to accumulate wealth and pass it down to your children.

Same thing applies to women who love women. They aren't focused on being demure and pleasing the men in power. They aren't focused on making themselves wife material. They will challenge the status quo and maybe even (shock! horror!) decide not to have children. How the heck do you make sure your money and power stays in the family, how do you build an empire, when the women are perfectly happy having sex with each other and don't want to love, honour and obey??

And whose fault is all this?

Its got to be the damned queers, right? They're making people think there might be other ways to share your life with those you care about! That's why its important to squash down gayness whenever you can, right, wdcmaxy?

Look at them destroying the fabric of society!

If Jimin and Jungkook ARE fucking every chance they get, good for them. I hope they're balls deep and breathless, hitting all those sweet spots for each other having a really good time.

And if they're not fucking, it actually doesn't matter to me because the way they support each other and share their hearts is beautiful. (I do think they are fucking though)

Truthfully, whatever they're doing, as long as they're happy I'm happy.

Can you say the same, wdcmaxy?

Peace.

[befuddledcinnamonroll]

We Are and the evolution of Thai BL tropes

The QL discord started a rewatch of My Engineer a few weeks ago, and damn, has it been an interesting experience. At the time I originally watched My Engineer, there was little that stuck out to me, because so much of what happened felt so incredibly common in a lot of the (admittedly rather limited) number of BLs being produced. It felt like pretty standard fare.

But going back and watching it in juxtaposition with We Are airing has been so fascinating. This genre has been evolving, y'all.

As much as we all joke about always getting more university BLs, there is something to be said for a format that can be used as something of a metric for the genre. And though there's only four years between My Engineer and We Are, seeing them both at once gives me such an incredible appreciation for the direction the genre is going in, the impact of having more queer voices involved in the creation of QLs, and how there's a lot of good we can find in seemingly simple spaces.

Obligatory disclaimer: This is just my perspective and subjective interpretation of what I have seen as a BL viewer of some time; also I don't have time to go in and do a university deep dive, so this isn't a real analysis, but more of a brief writeup of observations.

Trends are not black and white, of course, there is a spectrum. I'm sure we'll suffer through more Dinosaur Loves. At the same time, having such predominant production companies as GMMTV putting effort into hiring queer creatives and subverting old cliche tropes is an encouraging thing. (Especially as they were the creators of the original university trendsetting BL with Sotus).

Note: For newer QL viewers, I highly recommend @absolutebl for brushing up on trope history. For university BLs in particular, this post and this post are great starting primers.

Let's talk tropes!

Ok, one more note - some tropes are being what I would consider subverted, some more adapted to a newer framework, and some just played with - I'm going to talk about how they appear to me, but I'm not going to be super pedantic over it, because this is just for fun.

Trope: Bullying/hazing behavior

This did not age well in My Engineer, and I would guess hasn't aged well in a number of BLs (and other media, because the whole "he's mean to you because he likes you" bullshit has been around forever). Not just because the behavior was shitty, but because it was played off in the script as cute, and implied that it was completely justified for the seme to do whatever he wanted in his pursuit of his uke.

(There was also quite a strong tone of internalized homophobia, with the lead feeling more comfortable in expressing his interest through harassment than honest emotion, but the show never actually engaged with that in any meaningful way.)

We Are sets up a very traditional enemies to lovers/bullying start to the story, with Phum taking advantage of Peem's economic situation to make him his "slave".

And yet... there's some important elements here that make this more than the standard use of the trope.

Phum keeps it pretty light in his bullying behavior, and clearly is using it more to keep Peem around as company, versus the kind of bullying in My Engineer, where Duen is literally hit by a car, and yet still expected to keep jumping to Bohn's whims.

As soon as Phum realizes he really upset Peem by leaving him waiting at the mall, he genuinely feels awful about it. It's clear that his intent is not to cause harm, and that he has a conscience. He wrestles with his feelings on it quite a bit, and it ends up being the thing that gets Phum to finally express an honest emotion with Peem.

And most importantly, the script does not let him off the hook. His behavior is bad, and is identified as such by the writing. Peem pushes back and is shown to be right to do so, Beer openly says he disapproves.

So instead of a cliche story beat that's used just to start the action, or a seme who's allowed to do whatever he wants because "passion" (blech), we're seeing it used for characterization, giving us important beats about who both Phum and Peem are in how they engage with each other through the use of the trope.

Trope: Obsessive/jealous behavior

Oh, this one was painful in My Engineer. Duen couldn't even talk to another human being without Bohn getting jealous and angry and dragging him away.

Phum gets jealous, particularly around Kluen, but what makes it feel so subversive here are two key things.

Phum's jealousy has a purpose here, it's not just for drama's sake. It's not the cliche seme doing whatever he wants and being treated as justified. It's deliberately being used to explore his insecurities, and give him a challenge to overcome. Phum doesn't stomp over and drag Peem away, he retreats, he hides. When his jealousy causes him to lash out at Peem, he is immediately aware he fucked up.

And again, the script is making it clear that this behavior is not ok. Peem chides Phum when he acts unkind to Kluen, and Beer makes it clear that the solution is not petty behavior, but actually figuring out a way to communicate his feelings with Peem before he misses his chance. This is portrayed as a barrier for Phum to overcome in order to be with Peem, not an expected part of a romantic relationship.

Trope: Friendship group

There are not enough words to express how much I love the friendship group in We Are. To be fair, this is one of the better historical tropes. We've gotten a lot of amazing friend groups, even in mediocre BLs.

But it's still different in We Are, for one simple reason. In most university BLs, the friend group is a supporting structure. But here?

The story lines may be about the romance, but the point of We Are is the friendship.

I will die on this hill, y'all.

I don't have enough time to go into it fully here, but this show is a love letter to friends. It's a tribute to finding the people who see the real you and have your back unconditionally. Who cheer your successes and commiserate over your defeats, who pick you up when the world knocks you down, who call you out when you make mistakes, and push you to be better.

And romance is lovely, but all of these budding relationships are about being friends first, and then lovers, because that friendship is just as important as everything else, if not more.

Trope: Pink milk

Lol, ok, kinda kidding, kinda not. I know we all got mad over the drink wastage, but also check out these visuals - it's about diversity baby!!

TanFang speed round

My two little trope-busting bebes. These two are already so beautifully non-traditional in their composition, but I love how frequently they are used to make fun of and play with tropes just on their own.

Introduced as pining crush/friend's older brother pair, but actually secret enemies to lovers.

Grumpy/sunshine pairing, where the sunshine used to be a fighter, and grumpy smiles when he thinks no one is watching.

Wound-tending where they keep poking each other instead of acting soft.

Openly mocking the jealous boyfriend trope.

Setting up the possessive trope when Tan doesn't pick up Fang's calls, only to immediately have Fang question if he's being unreasonable.

Setting up their own cute eating scene for kicks.

"First time" sex scene making it clear this is anything but their first time.

Tan holding Fang down in the cliche possessive pose, only for Fang to take the agency of kissing Tan. (And overall saying eff off at the cliche top/bottom roles old BLs were such a fan of).

In Summary

I'm sure there are more tropes that will come to me, and we do still have 5 episodes left of We Are, so there are some potential trope uses that I am keeping an eye on. This is by no means an all-inclusive list.

But I wanted to write this, because I was genuinely shocked to realize how different my My Engineer watching experience was this time compared to my first time. How over the last few years I'd come to expect more thoughtfulness in my QL media, even in the ones that seem shallow on the surface.

Considering how fast and furious the QLs are coming these days, it's easy to forget how recent it was that we were much more starved of content. And I think sometimes we forget to take in the big picture, of how far we've come in just a few years.

Critique is always going to be important, of course, it's part of what helps us make progress. At the same time, it doesn't hurt to take a moment to look around and see some good in where we are.

@sailorbryant thanks for the push to get this written! Feel free to add thoughts!